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The five operas in the limelight of the 2012 Edition of the Festival d’Aix offer a great
variety of musical styles, vocal gems, orchestral coulourings, and dramatic compositions.
While La Clemenza di Tito stands as the archetypal classical opera, nurtured by the
traditions of both opera seria and the Enlightenment, La Traviata explores the tragic life
of a demimondaine on the fringes of polite society with brand new realism – which explains
the scandal following the premiere. The pastoral elegy enfolding Acis and Galatea is
worlds away from the pungent irony illustrated by Gogol and Shostakovich in The Nose. For
the first time, Joël Pommerat's strange and elusive characters will find their expression in
music with a score by Oscar Bianchi.
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